concrete sound
cast concrete with pigment
2011 - 2016

based on acoustic foam used in sound recording studios and anechoic chambers, these modular series of cast concrete sculptures explore the physicality of sound through shifts in materiality. geometric grids form to create muted objects and landscapes.

the collaborative publication, CONCRETE SOUND, written in collboration with Christine Shan Shan Hou is currently available (edition of 100).

featured in the New York Times and concrete hub. exhibitions include: knockdown center, stonybrook university, reverse, norte maar.